T.A. Barron always writes with a consciousness of nature and spirituality. His stories are passionate and alive. The pace is slower than what is currently popular because there is meaning in every part of the story. The language of The Lost Years of Merlin is not difficult or even challenging, but the description requires some lingering and rumination to appreciate the story.

In this series, Merlin's childhood is only loosely linked to the Merlin that the world recognizes, but I can see glimpses of the Merlin that Emrys will become. My oldest was disappointed because the story didn't seem to be truly Merlin to him. Barron points out that there is no established canon for Merlin's childhood. Merlin is different in these stories. He is the young Merlin, before he has learned wisdom. He may have the soul of a wizard, but certainly also the arrogance of one, and not balanced or kept in check by the self-restraint and wisdom necessary to be a great wizard.
related-wizards, magic, childhood and education of Merlin, identity, amnesia, second sight, friends, King Arthur, prophecy, human relationship to nature and animals
RL=6th-YA

With a sudden jolt, he realized that he could not remember anything. Where he had come from. His mother. His father. His name. His own name.

Cast from the sea onto the rocks of Wales is a boy with no knowledge of who he is or from where he comes. He soon notices a woman who says she is his mother, and they settle in a nearby village, although never truly a part of it. After a few years a momentous and life-wrenching experience propels the boy to journey in search of his past and identity. The task he must undertake on the legendary Isle of Fincayra, the bridge between the Earth and the Otherworld, sets him on a path to become Merlin, the greatest of all wizards.

This is my favorite of the series so far. I've read all but the last book. There is wisdom in each of the seven tasks he must achieve. A large step forward in Merlin's maturing process.

A group of characters combine through their separate actions to lessen Merlin's ability to defeat Valderag, the dragon. Because of an old prophecy about the confrontation, he spends most of the time looking for the Galator which he believes will give him the power he needs. The Galator has been stolen from Domnu (its last possessor), so he travels to a volcanic cave to visit a seer (not unlike Greek mythology) to find its location.

Merlin meets 2 deer people-who change back and forth between deer and people. His relationship with this brother and sister extends the series' concept of interconnectedness and helps to prepare him for his confrontation with the dragon (and confrontations in later books)-as does his relationships with Cairpré and Rhia.

The relationship with Hallia and Eremon (the deer people) and the conclusion are the strongest parts of the book. Barron does a good job of showing the reader (and Merlin) the viewpoint of the animals which impacts how he deals with other creatures in hostile situations.

The whole book seems to me to be leading up to Merlin meeting his older self (which is the best part of the book). Other than this there is less purpose to the story than the other books. Many of the happenings are accidental. There are some good moments besides, like Merlin freeing the marsh ghouls and their helping him in return (a connection to The Fires of Merlin).

One thing interesting is that Nimue in Barron's series is totally hateful and power-hungry. Normally, I don't see Nimue in this way-although there are variations in her behavior from story to story.

The setting for Merlin's older self doesn't quite fit canon either. Merlin was not imprisoned in the crystal cave as Arthur's tutor. However, it lends interesting details to Barron's story.

I need to go back and check The Seven Songs of Merlin. After reading The Mirror of Merlin, I wonder if Nimue's behavior in the bakery was only about jealousy and lust for power, or is it possible she had some contact with her older self? Did she want the sword specifically or only objects of power? Was she trying to stop Merlin through taking away the younger Merlin's power as she tries to do in this book? My feeling is that Nimue had some knowledge in The Seven Songs of Merlin that Merlin didn't have.Perhaps knowledge of the future?

I enjoyed Rhia's attempts at flight-both the swinging through the trees and the Icarus/Dedalus imitation. Her character is full of surprises and, as said about Rhia and Merlin, "full of madness." I appreciate also that this leads up to the recovery of lost wings and the history of the Forgotten Island. Shim's part in the story (though small) also adds to it. I wasn't impressed by the winged-human idea, but the story of the Forgotten Island is fittiing, and the formation of Avalon lends credibility to Merlin's choice to confront his destiny instead of staying on Fincayra.

The reintroduction of an old enemy and Merlin's sympathy and mercy are one more step towards his ultimate destiny. In the last 3 books, Merlin matures greatly and gains both wisdom and the respect of others. Though he hasn't recognized his own worth, others are starting to consider him a wizard and to see the possibility of his greatness in the future-including the immortal Dagda.
related-Merlin, wizards, forgiveness, unity, community, destiny, Avalon