For 16 days in 2006, The Gates (7503 orange, rectangular arches with free-flowing fabric) stood along the paths of Central Park in New York. The project was proposed in 1979 and was 26 years in the making. The main focus of this book is Cristo and Jeanne-Claude’s process of constructing their large scale art projects, which are as much a managerial achievement and public discourse as they are artwork.

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